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Justin Edward Moore Bednarz
I believe in that which is absurd.
Created on 2003-04-06 20:36:34 (#989947), last updated 2009-06-18
184 comments received, 296 comments posted
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350 Journal Entries, 0 Tags, 0 Memories, 0 Virtual Gifts, 6 Userpics
| Name: | i'm readin' it! |
|---|---|
| Birthdate: | 1984-06-22 |
| Location: | Coconino County, United States |
| Website: | http://www.stereotypist.com |
Contact:
J.Ed.Mo.Bed@gmail.comI APPEAL TO EMOTION. 
My most important instruments are my character, my appeal to emotion, and my appeal to reason, I give much thought and study to using these well. Above all I remember that I am assuming the position of a leader, and hence must show myself to my audience in the best possible light as likeable and admirable. I well understand what my audience likes and dislikes, what appear to be true arguments to them, and what would be very hard for them to understand or accept. Hence I understand both the obvious and the hidden motives of human behaviour. While the poetic writer studies the characters about whom he writes; I study the characters to whom I write or speak.
Before writing I ask myself: "What is my audience like? What kind of people do they trust and admire? What are the things in life which they value or fear? What rules of conduct do they really respect and follow? What kind of experience guides them in deciding practical questions?" I ask myself what the members of a given audience have in common. Are they united by their virtue and ideals (for example, priests, sisters, doctors, lawyers, or experts of some sort), or by their riches (businessmen), or their poverty (a crowd in the street)? I also consider their nationality, religion, and education, and whether they are young, middle-aged, or old.
In order to sway all these classes of people I concern myself with arousing love and hate, anger and benevolence, fear, shame, kindness, pity, and envy. I do not do this, however, in order to make you act from blind emotion like an animal. I'm no propagandist, nor the leader of a lynch-mob who whips his audience into a blind frenzy of hate and fear. I'm genuine. I appeal to your emotions to lead you to truth and to a more reasonable way of acting. I appeal to what is best in you, and I study selfish and evil emotions, not in order to produce them, but in order to prevent them from interfering with right action.
I move you to do what is right, I do not merely advertise any product I am hired to sell, promote any program adopted by my political party, nor defend any criminal who hires me as a lawyer, I know ethics and the art of good human living, so I know what is truly virtuous and honorable, and I have a thoughtful acquaintance with politics and practical affairs.
note to self:
Q&A&Q&A&Q&A&Q&A&Q&A&Q&A&Q&A&Q&A&QA&&QA&&QA&&AQ&A&
My most important instruments are my character, my appeal to emotion, and my appeal to reason, I give much thought and study to using these well. Above all I remember that I am assuming the position of a leader, and hence must show myself to my audience in the best possible light as likeable and admirable. I well understand what my audience likes and dislikes, what appear to be true arguments to them, and what would be very hard for them to understand or accept. Hence I understand both the obvious and the hidden motives of human behaviour. While the poetic writer studies the characters about whom he writes; I study the characters to whom I write or speak.
Before writing I ask myself: "What is my audience like? What kind of people do they trust and admire? What are the things in life which they value or fear? What rules of conduct do they really respect and follow? What kind of experience guides them in deciding practical questions?" I ask myself what the members of a given audience have in common. Are they united by their virtue and ideals (for example, priests, sisters, doctors, lawyers, or experts of some sort), or by their riches (businessmen), or their poverty (a crowd in the street)? I also consider their nationality, religion, and education, and whether they are young, middle-aged, or old.
In order to sway all these classes of people I concern myself with arousing love and hate, anger and benevolence, fear, shame, kindness, pity, and envy. I do not do this, however, in order to make you act from blind emotion like an animal. I'm no propagandist, nor the leader of a lynch-mob who whips his audience into a blind frenzy of hate and fear. I'm genuine. I appeal to your emotions to lead you to truth and to a more reasonable way of acting. I appeal to what is best in you, and I study selfish and evil emotions, not in order to produce them, but in order to prevent them from interfering with right action.
I move you to do what is right, I do not merely advertise any product I am hired to sell, promote any program adopted by my political party, nor defend any criminal who hires me as a lawyer, I know ethics and the art of good human living, so I know what is truly virtuous and honorable, and I have a thoughtful acquaintance with politics and practical affairs.
note to self:
Q&A&Q&A&Q&A&Q&A&Q&A&Q&A&Q&A&Q&A&QA&&QA&&QA&&AQ&A&
Interests (150):
a tribe called quest, adolf loos, albert ayler, albert camus, alice neel, arvo part, autechre, bach, balthus, beck, beckman, beethoven, big labowski, bill watterson, bottle rocket, brancussi, brice marden, buck 65, butoh, can, captain beefheart, cecil taylor, charcoal chows, chet baker, chopin, clay, cliff edwards, clouds, cool hand luke, cross country skiing, cy twombly, dante, david byrne, dekooning, demf, desiderius erasmus, dia, diggable planets, dj shadow, dove, durer, effin, emily dickenson, eric dolphy, ethics, ezra pound, final fantasy three, flaming lips, francis bacon, frank llyod wright, frantisek kupka, franz kline, free improv, free jazz, fugazi, gertrude stein, grandaddy, graphite, guided by voices, gustav mahler, hans coper, hayden, hegel, henry ford, hockney, howard gardner, iggy and the stooges, igor stravinsky, james joyce, james paterson, jean paul sartre, jeff wall, jesus, john berryman, john cage, john coltrain, john zorn, johnny cash, jose ortega y gasset, joy division, juan munoz, kandinsky, kitaj, klee, knut hamsun, looking about, lucian freud, lucie rie, manuel neri, manzu, maps, marcel duchamp, martha grahm, matta, max ernst, mc solaar, mihaly csikszentmihalyi, mike patton, mishima, morandi, munch, nietzche, oil paint, old national geographics, old people, oskar kokoschka, peter greenaway, peter tchaikovsky, peter volkus, picasso, pinback, pipe tobacco, plasticman, plotinus, raymond carver, richard wagner, rjd2, robert penn warren, rothko, running, samuel beckett, scribbling, selflessness, serge gainsbourg, shostakovitch, sidney nolan, sigmund freud, sincerity, sleep, slick rick, small children, steve reich, strauss, swimming, tea, thelonious monk, thomas bernhard, thomas eakins, tito puente, tobin sprout, tom waits, tony chachere's, truth, ucb, violent femmes, water, werner herzog, wiener werkstatte, william faulkner, yeats
Schools:
Alfred University - Alfred, NYHarrison High School - Farmington Hills, MI
Highmeadow Common Campus School - Farmington Hills, MI
Interlochen Arts Academy - Interlochen, MI
Maryland Institute College of Art - Baltimore, MD
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